Concluding with the seven-minute "Nerves," an aptly titled piece that alternates between understated energy and unleashed power toward a dramatic ending, In the Flat Field started off Bauhaus' album career with a near-perfect bang. David Bowie - Scary Monsters (and Super Creeps) Kate Bush - Never for Ever. ALBUM OF THE YEAR 1980 PARTICIPANTS: ABBA - Super Trouper. As hard as they try, Tom Moon and the authors of 1001 Recordings You Must Hear Before You Die tend towards safe acts, if not always popular ones. You guys decided to save Bauhaus - In the Flat Field and AC/DC - Back in Black. Bauhaus is somewhat the rarity between my two books. It was recorded on 4 December 1979 at BBC Maida Vale Studios, London and in JuneJuly 1980 at Southern Studios, London, England. In The Flat Field is the debut studio album by English gothic rock band Bauhaus.
BAUHAUS IN THE FLAT FIELD GENIUS FREE
Vitus Dance" to the brutal descending chords of "Stigmata Martyr." Murphy, meanwhile, channels as much Iggy Pop as he does Bowie, proving to be no simple copyist of either, able to both maniacally sing-shout and take a somewhat lighter touch throughout. In The Flat Field is the band’s debut studio album, released by 4AD and considered to be one of the very first goth albums. Bauhaus 'In The Flat Field' 4AD (1980) 1000 Recordings to Hear Before You Die. Genius is the world’s biggest collection of song lyrics and musical knowledge. Listen free to Bauhaus In the Flat Field (Double Dare, In the Flat Field and more). The astonishingly precise rhythm section of David J and Haskins pulls off a variety of jaw-dropping performances, including the high-paced tension of the title track and the brooding crawl from "Spy in the Cab." Ash, much like his longtime hero Mick Ronson, turns out to be a master of turning relatively simple guitar parts into apocalyptic explosions, from the background fills on "St.
Starting with the challenging angst of "Double Dare," with shattering guitar over a curious but fierce stop-start rhythm while Murphy rages ever more strongly over the top, In the Flat Field contains a wide variety of inspirations and ideas. This said, perhaps the best thing about the album isn't what it's supposed to sound like, but what it actually does - an awesomely powerful, glam-inspired rock band firing on all fours, capable of restraint and complete overdrive both, fronted by a charismatic, storming frontman. Few debut albums ever arrived so nearly perfectly formed that In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music - wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music - demonstrates the sui generis power of both the band and its work. Few debut albums ever arrived so nearly perfectly formed that In the Flat Field practically single-handedly invented what remains for many as the stereotype of goth music - wracked, at times spindly vocals about despair and desolation of many kinds, sung over mysterious and moody music - demonstrates the sui generis power of both the band and its work.
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